History of the Banjo Ukulele

INTRODUCTION

The banjo-ukulele — also known as the banjolele, banjo uke, or uke banjo — is a quirky, charming instrument that blends the rich resonance of a banjo with the compact playability of a ukulele.

First appearing in the early 20th century, it became a staple of British music halls and American vaudeville stages, later enjoying cult status through legendary performers like George Formby.

EARLY ORIGINS & INVENTION (1916–1920s)

The origins of the banjo-ukulele are still debated, with early examples traced back to around 1916. American craftsman John A. Bolander is believed to have built a few prototypes, but it was Alvin D. Keech, a Hawaiian-born British musician, who truly popularised the instrument. Keech even trademarked the name Banjolele and was instrumental in bringing it to the UK music scene by 1917–1918.

These early instruments were handmade, often featuring wood rims, vellum heads, and beautifully crafted necks — a reflection of the luthier’s artistry as much as their musical innovation.

THE GOLDEN ERA (1920s–1930s)

The banjo-ukulele hit its stride during the roaring 1920s and 1930s. With the rise of jazz and dance bands, the instrument’s bright, percussive sound helped it cut through acoustic mixes — perfect for cabaret, vaudeville, and the lively music hall circuit.

Renowned manufacturers like Abbott, Gibson, Ludwig, Keech, and Dallas began producing banjo-ukuleles at scale, from budget-friendly models to high-end, ornate creations. These instruments became prized possessions — status symbols for entertainers and beloved tools for performers across the UK and the U.S.

FAMOUS PLAYERS & POP CULTURE IMPACT

No figure is more closely linked with the banjo-ukulele than George Formby. From the 1930s to 1950s, Formby became a household name in Britain thanks to his cheeky songs, charismatic film appearances, and lightning-fast strumming. His style — syncopated split-stroke rhythms and comedic delivery — made the banjo-ukulele a true icon of British culture.

While the banjo-uke remained largely a UK phenomenon, across the Atlantic, performers like Roy Smeck popularised related stringed instruments — especially the guitar, ukulele and tenor banjo. Known as “The Wizard of the Strings,” Smeck’s virtuosity brought the ukulele to mainstream American audiences through vaudeville, early sound films, and radio. Though he didn’t play the banjo-ukulele itself, he helped elevate small fretted instruments to star status during the same era.

WHAT MAKES A BANJO-UKULELE UNIQUE

The banjo-ukulele combines the small size and tuning of a soprano ukulele with the resonant body of a banjo. Typically strung with nylon strings and tuned to G–C–E–A, it produces a bright, punchy tone that’s louder and more rhythmic than a standard uke.

Early models featured natural vellum heads (like calfskin), metal or wood rims, and open-back or resonator styles. Today, players and collectors appreciate the rich character of these vintage instruments — especially those fitted with original vellum skins and hand-crafted necks.

THE MODERN ERA (1980s–Today)

After its revival in the 1970s, the banjo-ukulele never quite returned to mainstream pop charts — but it did find something better: a loyal community of musicians, collectors, hobbyists, and performers who cherish its unique charm.

Today, the banjo-uke lives on through:

  • Enthusiastic players of all ages

  • Vintage instrument lovers and restoration experts

  • Tribute performers keeping traditional music alive

  • Newcomers discovering it for the very first time

  • And fan clubs such as the BANJO UKULELE SOCIETY

While modern mass production of these instruments are not the same, interest in vintage models continues to grow — especially those made by classic names like Abbott, Dallas, Keech, Ludwig, and Gibson. Many of these instruments are now prized for their craftsmanship, character, and collectability.

At Alan Yates Music, we’re proud to be part of that ongoing story —

we specialise in these fascinating instruments — offering expert valuations, restoration, repairs, maintaining, selling, and help players old and new keep the banjo-uke alive.

This instrument might not shout the loudest anymore, but it still sings — and for those who fall for it, there's nothing quite like it!

George Formby O.B.E with a Dallas model.

Photograph provided by Cameron Murray @ http://www.kamuke.com © -

with thanks and appreciation.

DECLINE AND REVIVAL (1950s–1970s)

As musical tastes changed in the post-war years, the banjo-ukulele began to fall out of favour. The rise of electric guitars and new styles of music made louder, flashier instruments more desirable. Coupled with the effects of World War II, production slowed dramatically. By the 1960s, many manufacturers had stopped making them altogether.

But the 1970s brought a quiet revival.

Vintage collectors, nostalgic performers, and music enthusiasts began seeking out the banjo-ukulele again — not just as a novelty, but as a serious instrument with a unique voice..